Erasure
ABOUT
THE BOOK
Avant-garde novelist, college professor, woodworker and fly fisherman, Thelonious (Monk) Ellison has never allowed race to define his identity. But as a writer and an African American, he is offended and angered by the success of We’s Lives in da Ghetto, the exploitative debut novel of a young, middle-class black woman who once visited “some relatives in Harlem for a couple of days”. Hailed as an authentic representation of the African American experience, the book is a national best-seller and its author feted on the Kenya Dunston television show. The book’s success rankles all the more as Monk’s own most recent novel has just notched its seventh rejection.
Even as his career as a writer appears to have stalled, Monk finds himself coping with changes in his personal life. Forced to assume responsibility for a mother rapidly succumbing to Alzeimher’s, Monk leaves his home in Los Angeles to return to the Washington D.C. house in which he grew up. There he must come to terms with his ailing mother, his siblings, his own childhood and youth, and the legacy of his physician father, a suicide some seven years before. In need of distraction from old memories, new responsibilities, and his professional stagnation, Monk composes, in a heat of inspiration and energy, a fierce parody of the sort of exploitative, ghetto wanna-be lit represented by We’s Lives in da Ghetto. But when his agent sends this literary indictment out to publishers, it is greeted as an authentic new voice of black America. Monk- or his pseudonymous alter ego, Stagg R. Leigh – is offered money, fame, success beyond anything he has known. And as demand begins to build for meetings with and appearances by Leigh, Monk is faced with a whole new set of problems.