The Electrical Field
2000 Nominated

The Electrical Field

artwork-image

ABOUT
THE BOOK

When the beautiful Chisako and her lover are found murdered in a park, members of a small Ontario community must finally acknowledge certain inescapable truths. Set in the 1970s, The Electrical Field reaches deep into the past to explore the dire legacy of the internment of Japanese-Canadians during the war.

ABOUT
THE AUTHOR Kerri
Sakamoto

Kerri Sakamoto was born in Toronto to a Japanese Canadian family. Her first novel, The Electrical Field, was a finalist for a slew of awards—the Governor General’s Literary Award for Fiction, the Kiriyama Pacific Rim Book Prize and the IMPAC Dublin Literary Award—and won the Commonwealth Writers’ Prize for Best First Book and the Canada–Japan Literary Award. The Toronto Star said “Kerri Sakamoto represents a major new force in the landscape of Canadian fiction.” Kerri grew up in mostly white suburban Etobicoke of the 1960s and ’70s; her parents avoided talking about the camps, or even about Japanese culture and history, even though racial taunts were a fact of life. She found out about the internment camps at the age of twenty, reading a magazine article. She read Joy Kogawa’s Obasan and worked with Kogawa in the redress movement for two years, although her parents refused to attend the meetings. “It was the idea of being visible once again that was uncomfortable for them.” She felt compelled to write about the internment and its residual effects.
Kerri Sakamoto was born in Toronto to a Japanese Canadian family. Her first novel, The Electrical Field, was a finalist for a slew of awards—the Governor General’s Literary Award for Fiction, the Kiriyama Pacific Rim Book Prize and the IMPAC Dublin Literary Award—and won the Commonwealth Writers’ Prize for Best First Book and the Canada–Japan Literary Award. The Toronto Star said “Kerri Sakamoto represents a major new force in the landscape of Canadian fiction.” Kerri grew up in mostly white suburban Etobicoke of the 1960s and ’70s; her parents avoided talking about the camps, or even about Japanese culture and history, even though racial taunts were a fact of life. She found out about the internment camps at the age of twenty, reading a magazine article. She read Joy Kogawa’s Obasan and worked with Kogawa in the redress movement for two years, although her parents refused to attend the meetings. “It was the idea of being visible once again that was uncomfortable for them.” She felt compelled to write about the internment and its residual effects.
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ADDITIONAL INFORMATION

Country
Canada
Publisher
Vintage Canada

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