Horses of God
ABOUT
THE BOOK
On May 16, 2003, fourteen suicide bombers launched a series of attacks throughout Casablanca. It was the deadliest attack in Morocco’s history. The bombers came from the shantytowns of Sidi Moumen, a poor suburb on the edge of a dump whose impoverished residents rarely if ever set foot in the cosmopolitan city at their doorstep. Mahi Binebine’s novel Horses of God follows four childhood friends growing up in Sidi Moumen as they make the life-changing decisions that will lead them to become Islamist martyrs.
The seeds of fundamentalist martyrdom are sown in the dirt-poor lives of Yachine, Nabil, Fuad, and Ali, all raised in Sidi Moumen. The boys’ soccer team, The Stars of Sidi Moumen, is their main escape from the poverty, violence, and absence of hope that pervade their lives. When Yachine’s older brother Hamid falls under the spell of fundamentalist leader Abu Zoubeir, the attraction of a religion that offers discipline, purpose, and guidance to young men who have none of these things becomes too seductive to ignore.
Narrated by Yachine from the afterlife, Horses of God portrays the sweet innocence of childhood and friendship as well as the challenges facing those with few opportunities for a better life. Binebine navigates the controversial situation with compassion, creating empathy for the boys, who believe they have no choice but to follow the path offered them.
Judges Comments
Horses of God by Mahi Binebine, translated by Lulu Norman, is a story told from beyond the grave, as our narrator reconstructs for us the short life he lived before he and a group of friends, would-be martyrs, joined a terrorist group and blew themselves up in an expensive Casablanca hotel. Binebine and Norman create an arrestingly vital and yet profoundly sad voice for the teenage lad who is telling us his story – a character filled with unlikely sympathy and innocence – and a tense, vivid world for him to live in: the city’s terrible but inescapable Sidi Moumen slums. Beautifully wrought, Horses of God is a fierce, fearless and important book.
ABOUT
THE TRANSLATOR Lulu
Norman
Lulu Norman is a writer, translator, and editor who lives in London. She has translated Albert Cossery, Mahmoud Darwish, Tahar Ben Jelloun, and the songs of Serge Gainsbourg and written for national newspapers, the London Review of Books, and other literary journals, in particular Banipal, the magazine of modern Arab literature, where she is an editorial assistant and regular contributor. Her first book translation, Mahi Binebine’s Welcome to Paradise (Granta, 2003) was shortlisted for the Independent Foreign Fiction Prize, and her translation of Binebine’s Horses of God (Granta, Tin House 2013), won an English PEN award, was selected for World Literature Today’s “Seventy-five Most Notable Translations,” shortlisted for the BTBA and the IMPAC, and also and runner-up for the Scott Montcrieff Prize. Her cotranslation with Ros Schwartz of Tahar Ben Jelloun’s About My Mother came out in October 2016 with Saqi Books
Lulu Norman is a writer, translator, and editor who lives in London. She has translated Albert Cossery, Mahmoud Darwish, Tahar Ben Jelloun, and the songs of Serge Gainsbourg and written for national newspapers, the London Review of Books, and other literary journals, in particular Banipal, the magazine of modern Arab literature, where she is an editorial assistant and regular contributor. Her first book translation, Mahi Binebine’s Welcome to Paradise (Granta, 2003) was shortlisted for the Independent Foreign Fiction Prize, and her translation of Binebine’s Horses of God (Granta, Tin House 2013), won an English PEN award, was selected for World Literature Today’s “Seventy-five Most Notable Translations,” shortlisted for the BTBA and the IMPAC, and also and runner-up for the Scott Montcrieff Prize. Her cotranslation with Ros Schwartz of Tahar Ben Jelloun’s About My Mother came out in October 2016 with Saqi Books
NOMINATING LIBRARY COMMENTS
This novel by Moroccan author Binebine concerns young boys who become suicide bombers, and it upends much of what is often assumed about such lives. Based on events in Casablanca in 2004, Binebine’s novel avoids sentimentality and becomes a haunting and insightful look at lives of hardship and poverty.