head-long_frayn
2001 Nominated

Head-Long

artwork-image

ABOUT
THE BOOK

Invited to dinner by the boorish local landowner, Martin Clay, an easily distracted philosopher, and his scrupulous art-historian wife find themselves enlisted to assess the value of three dusty paintings moldering in the freezing breakfast room. But blocking the soot from the chimney is nothing less – Martin believes – than one of the world’s lost treasures, camouflaged by misattribution and the grime of centuries. There it is: Martin’s new distraction. So begins a wild trail of lies and concealments, soaring hopes and sudden panics as Martin embarks on an obsessive quest to prove his hunch, win over his wife, separate the painting from its owner, and resolve on of the great mysteries of European art.

Martin’s increasingly desperate scheme turns out to involve betting all that he owns – and much that he doesn’t. He falls from his domestic haven into a kind of comic hell as he is drawn into an ever more tangled web of deceit – and an ever more hair-raising intimacy with the landowner’s reckless wife. Writing with biting wit and a perfect eye for the lessons of art and the shifting shapes of self-deception, Michael Frayn has given us entertainment of the highest order, a supremely wise – and wickedly funny – portrait of the human condition.

ABOUT
THE AUTHOR Michael
Frayn

Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. He has written seventeen plays, including Noises Off, Copenhagen, and Democracy, translated Chekhov’s last four plays, and adapted his first as Wild Honey. His screenplays include Clockwise, starring John Cleese, and among his eleven novels are The Tin MenTowards the End of the Morning, HeadlongSpies, and Skios. Collections of articles include Collected ColumnsStage Directions, and Travels with a Typewriter. He has also published two philosophical works, Constructions and The Human Touch, and a memoir, My Father’s Fortune. His most recent publications are three collections of short entertainments, Matchbox Theatre, Pocket Playhouse, and Magic Mobile. He is married to the writer Claire Tomalin. (from Publisher)

Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. He has written seventeen plays, including Noises Off, Copenhagen, and Democracy, translated Chekhov’s last four plays, and adapted his first as Wild Honey. His screenplays include Clockwise, starring John Cleese, and among his eleven novels are The Tin MenTowards the End of the Morning, HeadlongSpies, and Skios. Collections of articles include Collected ColumnsStage Directions, and Travels with a Typewriter. He has also published two philosophical works, Constructions and The Human Touch, and a memoir, My Father’s Fortune. His most recent publications are three collections of short entertainments, Matchbox Theatre, Pocket Playhouse, and Magic Mobile. He is married to the writer Claire Tomalin. (from Publisher)

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