New York magazine’s number one book of the year and named a Best Book of 2013 by The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast; Bookish; The Jewish Daily Forward; The Austin American-Statesman; Complex; and The Millions, Rachel Kushner’s The Flamethrowers was a finalist for the National Book Award and a New York Times bestseller.
Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity-artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts-by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner.
(From Publisher)
About the Author
Rachel Kushner’s debut novel, Telex from Cuba, was a finalist for the 2008 National Book Award and the Dayton Literary Peace Prize, winner of the California Book Award, and a New York Times bestseller and Notable Book. The Flamethrowers, received rave reviews across the country, and Kushner was awarded a Guggenheim Fellowship in 2013. Her fiction and essays have appeared in The New York Times, The Paris Review, The Believer, Artforum, Bookforum, Fence, Bomb, Cabinet, and Grand Street. She lives in Los Angeles.
Librarian’s Comments
The ’70s was radical. In art and in politics. Kushner investigates the hunt for deeper meanings.
Kushner’s brilliant writing brings art, history and politics together in a brilliant fusion that allows us not only to see several subjects afresh (landscape, the New York art world, Italian motorcycles, the Futurist movement) but to better understand and appreciate key challenges of our time, such as the wide gulfs between labor and capital, and men and women.
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