(conceived by J. J. Abrams and written by Doug Dorst)
2015 Longlist
One book. Two readers. A world of mystery, menace, and desire….
A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of ther own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown.
The book: Ship of Theseus, the final novel by a prolific but enigmatic writer named V. M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched on a disorienting and perilous journey.
The writer: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumors that swirl around him.
The readers: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts, and fears.
S., concevied by filmmaker J. J. Abrams and written by award-winning novelist Doug Dorst, is the chronicle of two readers finding each other in the margins of a book and enmeshing themselves in a deadly struggle between forces they don’t understand. It is also Abrams and Dorst’s love letter to the written word.
(From Publisher)
About the Authors
Emmy Award-winning filmmaker J. J. Abrams has produced, directed, or written films and television shows including Fringe, Lost, Alias, Felicity, Star Trek, Cloverfield, Super 8, Mission:Impossible, and more.
Doug Dorst teaches writing at Texas State University – San Marcos. He is author of the PEN/Hemingway-nominated novel Alive in Necropolis and the collection The Surf Guru. His work has appeared in McSweeny’s, Ploughshares, Epoch and elsewhere. Dorst is also a three-time Jeopardy! Champion.
Librarian’s Comments
A writer and a filmmaker join creative forces to craft a unique work that can only be read the old-fashioned way, by turning the pages. A layered literary mystery, S. uses the story of a nameless man without a memory to tell another story of two college students’ romance and their life-threatening pursuit of an author’s carefully hidden secret identity. Readers experience the tactile delights of the printed format through marginalia and ephemera that shape charaters and advance plot.
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